Down by the Riverside Ukulele Tutorial with Tabs

by | Mar 25, 2019 | About our books, Kids and school, Video lessons

DOWN BY THE RIVERSIDE UKULELE TUTORIAL

In order to play along with this Down by the Riverside ukulele tutorial, you’ll need only four chords. The ukulele chords are C, F, G7 and C7. As for the strumming pattern – Jenny follows a D-DU-UD-U (D-down, U-up) repetition. Finally, Jenny also plays solo ukulele for both the verse and chorus parts. 

To learn more about how to play the song on ukulele including melody tab, join us on Facebook. You can watch a Facebook live lesson for Down by the Riverside ukulele tutorial later this week. If you miss the live session, check the recording on the videos section of our Facebook page.

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DOWN BY THE RIVERSIDE SONG HISTORY

Although Down by the Riverside was first published in 1918, its origins are believed to date back to the American Civil War or even earlier. Accordingly, African American slaves sung Down by the Riverside as a work song with lines from other spirituals. Some historians also refer to the song as Ain’t Gonna Study War No More. While the lyrics of the verses sometimes differ on the song’s many versions, the lines of the chorus are mostly the same. The following line gets repeated on the chorus: I ain’t gonna study war no more. Because of this message of promoting peace, many musicians also use the song as an anti-war protest.

Down by the Riverside is one of the songs from our latest book 21 Easy Ukulele Folk Songs which you can purchase here.

NOTABLE RECORDINGS OF DOWN BY THE RIVERSIDE

With such a great message and an upbeat rhythm, no wonder many artists and musicians have covered the song. For instance, Elvis Presley recorded Down by the Riverside on two occasions. He first recorded the song in 1956 on an impromptu jam session with Johnny Cash, Carl Perkins and Jerry Lee Lewis, later dubbed as Million Dollar Quartet. Presley also included the song in a 1966 soundtrack album called Frankie and Johnny. Other notable recordings of the song include those of Louis Armstrong, Lead Belly, Bing Crosby, Sister Rosetta Tharpe, Nat King Cole and Van Morrison.

Do you want to sound convincing on folk songs? You know basic chords and strumming patterns. And you’re interested in folk music. You’d like to take it to the next level.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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