Eminem’s Mockingbird Inspires Ukulele Students to Try Transposition

by | Jan 12, 2014 | Kids and school

Learn how Jenny adjusts to students and shares how Eminem’s Mockingbird inspires ukulele students to try transposition.

As a General Music Classroom teacher, I am always looking for ways to engage students. What better way, than to teach music they listen to? Rap and hip-hop are genres of choice for today’s youth, but teaching rap in an authentic way can be complicated, due to lots of inappropriate material in many of the hits.

Our book, 21 Songs in 6 Days: Learn Ukulele the Easy Way, has the tune Hush Little Baby presented in two different keys. My students get to learn Hush Little Baby and then transpose the song. Because they physically do the transposing, they actually understand the meaning of the word!

Mockingbird was a hit in 1996, and is still popular. In this rap, Eminem speaks of his feelings of regret from being away from his two daughters as they grew up. There is no profanity in the song, but it is sad. Eminem uses the melody and lyrics of the folk tune Hush Little Baby in a creative and artistic way.

My students sing and play Hush Little Baby in two keys. Then, they get to watch Eminem’s video and reflect on the connections between the folk song and the rap hit. The students learn about transposition and the connections to poetry and literature. They also get to see how modern artists borrow from our shared history and speak to today’s realities. They love the lesson and are very engaged! It was fun to realize that Eminem’s Mockingbird inspires ukulele students to try their hand at transposition.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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