How to Make Song Parodies

by | May 23, 2016 | Improvisation and song writing

girl-song parodiesAlmost all of us love to listen to parodies of the songs we know, especially those parodies that are humorous. But did you know that parodies can also be used to teach elements of music in the classroom?

In my music classroom at school, I assess students on ukulele songs in groups of 4 or 5. The other 20 students need something to do, and song parodies seem to be the answer!

A parody according to Wikipedia is “a work created to imitate, make fun of, or comment on an original work, its subject, author, style, or some other target, by means of satiric or ironic imitation.”

In music, parodies often modify or copy existing musical ideas, style and lyrics of well-known songs.

Making a parody is fairly simple.

1. Choose the Kind of Parody

song parodiesYou should start off by deciding the type of parody you want to make. In as much as you want the parodies to be educational, they should also be funny. Humor ensures that your audience is intrigued and captivated by the performance. Laughter is always a welcome relief.

2. Pick a Good Song to Parody

It is preferable to pick a song that is well known and also liked by the target audience. Your students will be abuzz when they hear a song they cherish.

3. Write Out the Lyrics

Writing out the lyrics is the hardest part of making the parody. The lyrics carry the message of your parody. You should take a bit of time to write the lyrics. The lyrics obviously will depend on the type of parody you want to make. Try to be as humorous as possible.

Below is an example of a parody of “Are You Sleeping?” where the lyrics have been changed.

Are you sleeping? Are you sleeping?

Brother John Brother John

Morning Bells are ringing

Morning Bells are ringing

Ding Dong Ding Ding Dong Ding

 

Are you hungry? Are you hungry?

Yes I am Yes I am

Eat a burger and french fries

Eat a burger and french fries

Yum  Yum  Yum  Yum Yum Yum

You can watch Jenny play “Are You Sleeping” below.

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song parodies-singing4. Play and Record the Parody

Now you have all you need to perform the parody. You will have to learn the ukulele chords of the music. You can change the musical style, but your audience should be able to instantly identify the original song from which the parody is made.

Recording the parody as the students perform is a good idea as they can watch themselves later or share on YouTube or other media sharing sites.

The students enjoy the creativity and fun involved in coming up with their own lyrics.

Song parodies are a great tool to use in a ukulele classroom. Not only are they an excellent way to build creativity and showcase one’s skills, but they are also fun and satisfying to make. The entertainment involved in creating them ensures students are excited about the ukulele and develop their musical skills in a fun and creative way.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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