Making Music on RAGBRAI 2019

by | Sep 3, 2019 | Improvisation and song writing

I had a great time making music on RAGBRAI 2019 with my fellow cyclists! I just got back from RAGBRAI, the annual bike ride across Iowa.

By the way, RAGBRAI stands for Register’s Annual Great Bicycle Ride Across Iowa. More than 10,000 cyclists ride for 7 days the width of the state, camping at night and cycling by day.

Jenny Peters during RAGBRAI 2019

Here’s me on my bike in Iowa.

Along the way, I ran into MANY musicians. John was carrying his tuba behind him in a trailer. Cary had a violin on his back. Alecia had a trumpet strapped to her bicycle. Jim was carrying his banjo. Not to be outdone, I had my ukulele.

I had many chances to play and make people happy. Diane and I sang “This Land is Your Land” and got a three-year-old girl interested in playing ukulele. 

 

Jim and I played banjo and ukulele at a state park.

Jenny Peters making music on RAGRBRAI 2019

 

 

Here’s Jim playing his RAGBRAI banjo ukulele.

We even sang “Happy Birthday” to create a singing telegram for a fellow rider’s father’s birthday!

All in all, I had a great time. It was fun sharing and making music on RAGBRAI 2019 with my fellow cyclists!

Making Music on RAGRBRAI 2019
Jenny shares her ukulele with a young music fan on RAGBRAI 2019

Have you taken your ukulele or other instrument with you on your travels? Have you had fun experiences making music with fellow travelers?  I’d love to hear about it – leave me a comment below! 

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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