Illinois, Here I Stay! And Share Ukulele Music to Cope with Anxiety

by | Mar 15, 2020 | Improvisation and song writing

Since Illinois, here I stay, let’s continue to share ukulele music to cope with anxiety.

Last week I wrote about a planned trip to California to work with Rebecca and to visit family. Now with the spread of the coronavirus and social distancing as real policy, I am staying home. All concerts, parades, and sporting events are canceled here in Chicago. People are anxious and afraid of the uncertainty that faces us.

Here are some facts on the ground:

  • All schools in Illinois are canceled for at least the next two weeks.
  • My students did not get to perform for their parents because scheduled concerts were canceled.
  • My students did not get to go to a music contest.

The students are disappointed and sad that they worked hard and didn’t get to showcase their work.  I was disappointed too and wanted to do something to help channel their sadness into creative expression. So I came up with a creative way to build community.

The City of Chicago announced they won’t be dying the Chicago River green this year.
Photograph by Benjamin Suter via Unsplash

On the Thursday and Friday before school was canceled, I recorded my students performing their music and sent links of the performances to families. During our parent/teacher conferences families watched these videos and were thrilled by the music.

“AWESOME!  I like ‘Cello Squadron,’ too, sounds almost like ‘Ride of the Valkyries!’  Your quartet was terrific, that’s quite a concertmaster you have there!”

Alison Fujito
Violinist, Pittsburgh Symphony Orchestra

Americans have seen the Italian balcony singers as an expression of joy and resilience in a time of fear. I also think of the student violinist who was quarantined in Wuhan during the height of the outbreak. He took Skype lessons with his American violin teacher and practiced many hours every day. He later journaled how playing his violin took his mind off the very real fears he had for his friends and family who he could not visit.

Orchestra students performing during a rehearsal.

Photograph by Jenny Peters

Music soothes fear and anxiety

As a way of dealing with the uncertainty, I urged all the teachers at my school to encourage band and orchestra students to bring their instruments home over the extended break. In addition, I passed out new music and shared YouTube tutorials of the music with parents and students.

Online resources can help people feel connected

These ideas are also ideas that will help people all over the globe to feel connected through music. Rebecca and I intend to continue to share ukulele music to cope with anxiety. We spread the gift of music with our ukulele community through books, online courses and live events. In a time of uncertainty, we encourage all of you to embrace the gift of music by playing your ukulele and being happy. It is said, “Music hath charms to soothe the wildest beast.” But at best we know music is much more than that. Surely, it is part of what makes us human. Also, it is a safe place for our emotions. And it offers us a way to take our minds off of fear and anxiety.

Stay well and happy strumming!

 

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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