Music and the Church: A Wonderful New Podcast

by | Feb 24, 2020 | About our books

My Research Uncovers a Treasure

I recently found a wonderful podcast called “Music and the Church.” The host Sarah Bereza presents many thoughtful ideas about music and worship.

I discovered the podcast as I researched ideas for our new book, 21 Easy Ukulele Hymns. I was looking for ways to meet church musicians. Church musicians will be interested in using our book to promote community in their churches. A ukulele choir or people playing ukulele will bring together people of different ages.

The Role of the Hymnal

One of my favorite episodes talks about the role of the hymnal. Sarah has served as a church musician in many denominations. She grew up in a Conservative Protestant tradition but has served in liberal churches as well. I found it very refreshing to hear that concerns about the role of music in worship exist among all faiths and are similar across denominational lines.

What is the role of music in worship? Is it simply textual, or are there emotionally deeper roles as well? What role does the hymnal serve? As the times change, do we “modernize” lyrics to represent our currently more sensitive use of language? When we modernize a lyric, do we destroy its poetry? What is the role of the choir in worship? What is the role of a praise band?

Co-host Crawford Wiley Brings a Fresh Perspective

Dr. Sarah Bereza addresses all of these questions and more as she discusses her favorite hymnals with her co-host Crawford Wiley. He has served in the Catholic Church, so he brings a fresh pair of eyes to this topic. Together they delve into the choice of music, lyrics, indexes and how a church musician or congregation uses a hymnal to plan congregational worship.

I was so excited to learn more about music, text, and worship as Rebecca and I get ready to add our contribution to this genre with the publication of 21 Easy Ukulele Hymns. I fervently hope our book will bring together communities of young and old to build connections and to serve communities. After all, together we spread love and joy with each other by raising our voices in songs of praise.

If you enjoyed this post, you’ll enjoy these related posts:

These posts will show you how to play other hymns on the ukulele.

Do you want to play hymns with confidence?

In our Hymn Kits you'll find something for varied learners, from beginners to a little more advanced.

Get your Hymn Kit today!

  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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