Joyful, Joyful We Adore Thee Ukulele Tutorial

by | Apr 11, 2018 | About our books, Video lessons

DOWNLOAD MUSIC SHEETS

As always, let’s start the Joyful, Joyful We Adore Thee ukulele tutorial with the music sheets. Get a copy of the chords (and lyrics) sheet here.

Joyful, Joyful We Adore Thee chords for ukulele

And for the tab or chord melody sheet, get a copy here.

Ukulele chords and tablature for "Joyful, Joyful We Adore Thee".

 

UKULELE TUTORIAL

Wouldn’t it be awesome to boast about knowing how to play a tune by Beethoven on the ukulele? With the help of our Joyful, Joyful We Adore Thee ukulele tutorial, you can truthfully claim you do know a Beethoven tune on the ukulele. Joyful, Joyful We Adore Thee is a popular hymn set to one of Beethoven’s melody in his final symphony. The melody is called Ode to Joy and it is part of Symphony Number 9.

 

CHORDS AND STRUMS

You can play the song using just three chords (C, G7 and an F) but there’s a part of the song (where the verse goes “Drive the dark of doubt away”) where it sounds better to play with the additional chords E7, Am, D7 and G. The additional chords are played a little bit fast so playing that verse gets a bit complicated so when you don’t feel like doing the complicated one, the three-chord version works just fine.

For the strums, Jenny provides three different methods you can try. First, we have the simple all-down strums, four beats per measure. Second, we have the down (1), down-up (2), down (3), down-up (4) strum. Finally, Jenny plays a simple chord melody for the third verse.

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In our Hymn Kits you'll find something for varied learners, from beginners to a little more advanced.

Get your Hymn Kit today!

POEM BY HENRY VAN DYKE

The actual title of the song is “The Hymn of Joy.” However, people are more familiar with the title “Joyful, Joyful We Adore Thee” which is the song’s first line. Henry Van Dyke wrote the verses of the song in 1907.

Henry Van Dyke was a preacher and an educator. He worked as an English literature professor at Princeton University and also as a lecturer at the University of Paris. Also, he became a diplomat to Europe at the time of Woodrow Wilson’s presidency.

Van Dyke was also a distinguished author of short stories and poems. Aside from “The Hymn of Joy,” Van Dyke also wrote another famous poem “Time Is.” Lady Jane Fellowes read part of the latter poem in Princess Diana’s funeral.

BEETHOVEN’S ODE TO JOY

Graffiti portrait of Beethoven, dark blue and white on a textured wall.

While Van Dyke wrote the verses to “Joyful, Joyful We Adore Thee” or “The Hymn of Joy” in 1907, he first published the poem in 1911 (as part of the third edition of  his Book of Poems). When Van Dyke wrote the poem, he expressed his intent that the poem be sung to Beethoven’s Ode to Joy melody.

 

  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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