How to Play “My Funny Valentine” on Ukulele

by | Feb 7, 2016 | Video lessons

My Funny Valentine

My Funny Valentine“My Funny Valentine” is a show tune from the Richard Rodgers and Lorenz Hart musical Babes in Arms. The show opened in New York City on April 14, 1937, and ran for 289 performances. In the original play, a character named Billie Smith (played by Mitzi Green) sings “My Funny Valentine” to Valentine “Val” LaMar (played byRay Heatherton). Billie pokes fun at some of Valentine’s characteristics but ultimately affirms that he makes her smile and that she doesn’t want him to change.

Video

Here’s our newest lesson on “My Funny Valentine” by Rodgers and Hart.

Click below to download a PDF of the lyrics and chords for this song.

My Funny Valentine

The song first hit the charts in 1945, performed by Hal McIntyre with vocals by Ruth Gaylor. It only appeared for one week and hit #16. In 1957 it was sung by Kim Novak in the film Pal Joey. The song is part of the Great American Songbook and has had many notable recordings. “My Funny Valentine” became a popular jazz standard and is part of the Great American Songbook. It has appeared on over 1300 albums performed by over 600 artists, including Chet Baker, Bill Evans, Duke Ellington, Frank Sinatra, Sarah Vaughan, Ella Fitzgerald, Andy Williams, Shirley Bassey, Miles Davis, Etta James, Nico, Chaka Khan, Elvis Costello, and Rickie Lee Jones.

In 2015 it was announced that the Gerry Mulligan quartet featuring Chet Baker’s version of “My Funny Valentine” will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. Jenny performs the song in A minor. Frank Sinatra recorded it in B minor and the theatrical version was in B minor. Ella Fitzgerald recorded in G minor.

If you want to play the latest hits, you need to learn essential skills first. 21 MORE Songs in 6 Days will teach you these skills.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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