King of the Road Ukulele Tutorial

by | Apr 26, 2018 | Video lessons

LYRICS AND CHORDS SHEET FOR KING OF THE ROAD UKULELE TUTORIAL

Before we advance to the new King of the Road ukulele tutorial, let’s get a copy of the lyrics and chord sheet here. King of the Road is a memorable and popular country song that is great to put on repeat and sing along to so we hope you get to learn to play it on the ukulele.

King of the Road ukulele chords and lyrics

KING OF THE ROAD UKULELE TUTORIAL

In the following King of the Road ukulele tutorial, Jenny illustrates the chords and strums. While the song uses three very easy chords: G, C and D7; the strum pattern is a bit tricky. The strum pattern follows an uneven down (1), down-up (2), up (3) down-up (4) flow. The song is also a bit fast which adds to the strumming challenge but keep working on it and you’ll surely find the rhythm.

In addition, Jenny adds a bit of a chunk to the strum to make it sound more cool. She also varies the strum pattern when it goes to the bridge of the song (the part where the line goes “I know every engineer on every train…); she does an all down-up pattern with a chunk that gives a sound similar to that of a train. Check out the video to see how Jenny does the chunking.

 

SONG HISTORY

King of the Road is a chart-topping country to pop crossover song. American musician and Country Music Hall of Fame inductee Roger Dean Miller wrote the lyrics of the song in 1964. According to Miller, a signpost that read, “Trailers for sale or rent” inspired her to compose the song. The signpost’s words eventually became the first line of the song.

Roger Miller’s popular song tells the story of a migrant worker who does not have much money or possessions but humbly loves his vagabond life. The man in the song is a hobo who rides trains and such to find work or opportunities and hilariously crowns himself “king of the road”.

Vintage steam train locomotive pulling passenger cars.

CHART TOPPER

Miller’s King of the Road single was released in 1965 under Smash Records. The song reached number 1 in the 1965 U.S. Billboard’s Hot Country Singles list as well as the Billboard’s Easy Listening List. In the overall U.S. Billboard Hot 100 list, the song peaked at number 4. In the UK and Norway, King of the Road also reached number 1 in the Singles Charts.

Do you want to sound convincing on folk songs? You know basic chords and strumming patterns. And you’re interested in folk music. You’d like to take it to the next level.

Get your copy now!

  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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