Mele Kalikimaka Hawaiian Christmas Song Ukulele Tutorial

by | Dec 3, 2018 | Video lessons

Let’s learn how to rock Merry Christmas the Hawaiian way with Mele Kalikimaka ukulele tutorial. Instead of the usual Christmas tracks featuring subzero setting, we have an island-vibe Christmas carol. And what’s a more fitting instrument to accompany this song than the ukulele?

Of course, everybody knows Bing Crosby’s bestseller Christmas song, White Christmas. But Mele Kalikimaka is the other holiday song made famous by Bing Crosby. It is also known as The Hawaiian Christmas Song.

First of all, we’ll need eight chords. And these are C, D#dim, G7, C7, F, A7, D7 and Em7b5. Jenny shows these chords in the video tutorial. Secondly, the strumming pattern is a D-DU-UDU (D-down, U-up) repetition.

 

A GREEN AND BRIGHT CHRISTMAS

Many Christmas songs feature the traditional winter backdrop. We have snow and sleigh, winter wonderland, white Christmas and the like. But it’s actually different in some parts of the world like Hawaii. “Christmas will be green and bright” as the lyrics of Mele Kalikimaka goes.  The winter holiday songs croon about frolicking in a snow-covered wonderland. On the other hand, Mele Kalikimaka chants about sunshine and palm trees.

Robert Alex Anderson wrote the lyrics to Mele Kalikimaka in 1949. He also wrote many other Hawaiian songs such as Haole Hula, Punahou and Lovely Hula Hands.

Santa Claus in sunglasses enjoys a tropical beach drink while holding a surfboard. Learn to play Mele Kalikimaka on the ukulele!

POPULAR COVERS

Crosby recorded Mele Kalikimaka in 1950 with The Andrews Sisters. Although Crosby’s recording was one of the earliest ones made, many subsequent covers have been produced through the years. Jimmy Buffet released two recordings of Mele Kalikimaka. He recorded one in 1996. Twenty years later, he recorded another which features ukulele virtuoso Jake Shimaburo. Bette Midler, who was born in Hawaii, included the song in her 2006 album Cool Yule.  More recent covers include those of Seth MacFarlane, Kacey Musgraves and The Monkees.

MORE FREE UKULELE LESSONS

Jenny will teach more about how to play Mele Kalikimaka this Saturday. She will do this via Facebook live session. So join us on Facebook and don’t forget to tune in. Exact schedule and sheet music will be posted on Facebook.

Also, you can contact us for sheet music of previous ukulele tutorials. Finally, subscribe here to get newsletters featuring our weekly ukulele tutorials.

Happy strumming!

You want to fill your home with Christmas cheer! You know a few chords and strumming patterns. And you’d like to play the melodies too.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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