My Bonnie Lies Over the Ocean Ukulele Tutorial

by | Apr 13, 2018 | Kids and school, Video lessons

MY BONNIE LIES OVER THE OCEAN UKULELE TUTORIAL

With this My Bonnie Lies over the Ocean ukulele tutorial, you’ll learn an easy ukulele song for beginners. You’ll need just five simple chords namely G, C, A, D and D7. As for the strum pattern, you can use the standard all-down strum pattern. And soon, you will playing this song all on your own. Download the lyrics and chords sheet here before heading to the ukulele tutorial.

Ukulele chords for "My Bonnie Lies Over the Ocean

SCOTTISH FOLK TUNE

My Bonnie Lies Over the Ocean, or Bring Back My Bonnie to Me, is a catchy Scottish folk song that became popular in America and in other parts of the world. The precise origin of the song is not known. But the most prevalent premise is that Jacobite supporters composed the song for Bonnie Prince Charlie.

BONNIE PRINCE CHARLIE

Bonnie Prince Charlie is Charles Edward Stuart, grandson of King James II and VIII who was the last Roman Catholic ruler of England, Ireland and Scotland. William III and Princess Mary, who is King James II and VIII own daughter ousted King James II and VIII in 1688. The ousted Stuart King fled and went into exile but planned on regaining his throne.

FAILED JACOBITE UPRISING

James Francis Edward, son of the deposed Stuart King and known as the Old Pretender, continued the pursuit of Stuarts return to the throne. His son, Charles Edward, continued with this pursuit with the support of their followers called the Jacobites.

Charles Edward led the final attempt at this plan through the 1745 Jacobite rebellion. This culminated in the bloody Battle of Culloden in April of 1746 where British government forces badly defeated Charles Edward’s troops. Charles Edward, aided by his supporters, managed to flee Scotland passing by the Isle of Skye to France.

Do you want to sound convincing on folk songs? You know basic chords and strumming patterns. And you’re interested in folk music. You’d like to take it to the next level.

Get your copy now!

  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

Keep me posted about the release of 21 Easy Ukulele Hymns

Thanks for signing up - we'll keep you posted about the launch of 21 Easy Ukulele Hymns