The Ash Grove Ukulele Tutorial with Tab

by | Jan 24, 2019 | Video lessons

So here’s an easy ukulele tutorial which includes lyrics, chords and tab for a Welsh folk song called The Ash Grove, one of the songs in our upcoming book 21 Easy Ukulele Folk Songs!

THE ASH GROVE UKULELE TUTORIAL

To begin with, you’ll need six chords to play The Ash Grove on ukulele – C, Dm, G7, F, G and D7. In case you’d like to learn an easier two-chord folk song, watch this Li’l Liza Jane ukulele tutorial.

Jenny presents three ways to play The Ash Grove. First of all, you can do the standard play-along version. You sing the lyrics and strum the ukulele in time with the song. Secondly, you can sing the lyrics and do a fingerpicking accompaniment. Instead of strumming, you fingerpick the chords. Finally, you can fingerpick the chord melody (also known as solo ukulele). This last one is perfect for those who don’t like to sing.

Jenny usually conducts a Facebook Live lesson for each new video tutorial. So don’t forget to join us on Facebook. Tune in on Thursday for Jenny’s live The Ash Grove ukulele tutorial. If, however, you missed the live session, just visit the videos section of Facebook for the recording that you can watch anytime.

Also, we send notifications with sheet music of new videos weekly so subscribe here and you won’t miss these ukulele music newsletters.

THE ASH GROVE MELODY

According to historians, the melody for The Ash Grove or Llwyn Onn in Welsh was first published in 1802 in a book called The Bardic Museum.  Many other songs have used this popular melody, with some of these even older than The Ash Grove. To name a few, here are three hymns that have used this tune: The Master Hath Come, Let All Things Now Living and Sent Forth by God’s Blessing.

LYRICS FOR THE ASH GROVE

Scenic path winding through a lush green grove of trees.

Although the melody was first published in 1802, a later version of Llwyn Onn which included lyrics was published four years after. This version talks about a tragic love story where the girl dies at the end of the song.

As for the English version, Thomas Oliphant’s translation in 1862 was the first one. Also, John Oxenford, an English playwright and translator, had another interpretation of the Welsh version. Hence, he had a different set of lyrics. Jenny sings Oxenford’s version in the video.

Happy strumming!

Do you want to sound convincing on folk songs? You know basic chords and strumming patterns. And you’re interested in folk music. You’d like to take it to the next level.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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