Jake Shimabukuro and Sakura Easy Ukulele Tutorial

by | Aug 3, 2019 | Concerts & appearances, Video lessons

This summer I had a wonderful opportunity to hear Jake Shimabukuro play “Sakura” in the park. First he played with The Acoustic Generation from Aloha City Ukes, and then he played a solo. The solo he chose was Sakura, a Japanese folk song meaning Cherry Blossoms. I also got to meet him and we talked about our ukulele books.

Spring and Cherry Blossoms

Sakura is a Japanese word which means cherry blossoms. During spring, these stunning cherry blossoms appear all over Japan but only last for several days. The cherry blossoms appear in Tokyo usually from late March to early April. In other parts of the country, they come out as early as January.

Hanami

The Japanese observe a ritual called “hanami” during the cherry blossom season. Basically, hanami is the Japanese custom of taking time to appreciate and enjoy the beauty of flowers or hana in Japanese. Frequently, these spring flowers are those of the cherry blossoms but there are others such as the plum blossoms.

Jake and the Koto

Jake imitates the sound of the 12-string koto, a traditional Japanese instrument, in his performance of Sakura. Here is a video showing what the koto sounds like.

 

Watch Jake Shimabukuro Play Sakura!

Here is Jake’s rendition of Sakura. Notice how beautiful the ukulele sounds and how well he is able to imitate the koto.

Jenny and Sakura Easy Ukulele Tutorial

I have always liked Sakura. It reminds me of how much I enjoyed the cherry blossoms on the University of Washington Quad when I was in college. The trees bloomed every Spring there and all the students enjoyed the blossoms. Some of these trees were a gift from the Japanese to the University. 

Sakura is in our newest book, 21 Easy Ukulele Folk SongsIf you would like like to learn a much easier version of this song, check out our easy ukulele tutorial for Sakura below. You can also get a copy of our book to learn this song and other easy folk songs. 

Get the Sheet Music to Sakura in our Newest Book

Do you want to sound convincing on folk songs? You know basic chords and strumming patterns. And you’re interested in folk music. You’d like to take it to the next level.

Get your copy now!

  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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