How to Play Nearer My God to Thee – Easy Ukulele Song

by | Apr 15, 2018 | About our books, Video lessons

LYRICS & CHORDS SHEET + TAB SHEET

On the following video on how to play Nearer My God to Thee,  Jenny presents several strum patterns in two different keys. If you’re the sing and strum type, you can try that with a couple of strum patterns or finger-picking. Get the lyrics and chords sheet in the key of C here.

Chord chart for the hymn "Nearer, My God, to Thee," showing how to play it on guitar or other instruments.

Jenny also plays a solo melody for one verse. So if you prefer the ukulele to do the singing for you, get a copy of the melody tab sheet in the key of G here.

 

HOW TO PLAY NEARER MY GOD TO THEE ON THE UKULELE

Nearer My God to Thee is a great song for beginners to learn on the ukulele since it only has three chords. Jenny does a ‘sing and strum’ in the key of C and a ‘solo melody’ in the key of G. This way you have the option to play in either key or even both if you like.

For the key of C, we have the chords C, F and G7 while for the key of G, we got G,  C and D7. Jenny does an all-down strum (four beats per measure) on the first verse. To vary up a little bit, she tries a down (1), down (2), up-down (3), down-up (4) on the second verse. In addition, she also does a fingerpicking strum on the third verse. Finally, she shows a simple chord melody on the last verse. So without further ado, check out the video below to learn how to play Nearer My God to Thee.

CHRISTIAN HYMN

Sarah Fuller Flower Adams wrote the text of the famous Christian hymn Nearer My God to Thee in the early 1840s. Sarah Adams was one of two daughters of radical publisher Benjamin Flower. Upon the death of her father, Sarah and her sister Eliza became wards of a family friend, William Johnson Fox.

Since Fox was a preacher, an orator as well as an editor, Sarah and Eliza often helped Fox in his works. While Eliza worked on the musical side of the chapel services, Sarah contributed on the writing of hymns. Nearer My God to Thee was one of the thirteen hymns Sarah wrote for chapel services in 1840 to 1841.

SEVERAL ASSOCIATED TUNES

Sarah’s sister Eliza first set the music to Nearer My God to Thee. However a later and more popular musical setting of the poem was made to the Horbury tune, one of over 300 tunes composed by hymn composer and minister John Bacchus Dykes. Many other tunes have also been associated with this Christian hymn such as Propior Deo, St. Edmund, Rothwell, Liverpool and Bethany.

While the Horbury tune was the most correlated setting to Nearer my God to Thee in the United Kingdom, the Bethany tune by American hymn composer Lowell Mason was the usual accompaniment to the song in the United States and other countries. Mason is also famous for the musical arrangement to one of the most famous Christmas songs Joy to the World.

FINAL SONG

Lone tree silhouetted against a vibrant sunset.

Nearer My God to Thee was claimed by some survivors of the doomed RMS Titanic to have been played by the ship’s orchestra while the ship was sinking in 1912. This claim however was refuted by other survivors with one survivor reporting to have heard another song called Autumn.

The account about Nearer My God to Thee being sung by the musical band of the Titanic may have been influenced by a similar event in an earlier maritime disaster, the wreck and sinking of SS Valencia in 1906. The few survivors of the Valencia recounted how the stranded passengers on the sinking ship, mostly women and children bravely sang this memorable hymn.

If you enjoyed this post about “Nearer My God to Thee,” you’ll enjoy these related posts:

These posts will show you how to play other hymns on the ukulele.

Do you want to play hymns with confidence?

In our Hymn Kits you'll find something for varied learners, from beginners to a little more advanced.

Get your Hymn Kit today!

  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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