Under the Sea Ukulele Tutorial for Beginners

by | Apr 23, 2019 | Kids and school, Video lessons

UNDER THE SEA UKULELE TUTORIAL

For this Under the Sea ukulele tutorial, you’ll need the following ukulele chords: G, D7, C, Em, A7 and G7. Although you’ll need more chords than usual, the chords are not the difficult part in learning how to play “Under the Sea” on ukulele. The difficult part is more on the rhythm. The strumming pattern that Jenny uses is D-DU-UDU (D-down, U-up). If you hit a snag following the strumming pattern, you can learn it with this video tutorial.

 

Jenny will have a Facebook live session later this week to teach more on Under the Sea ukulele tutorial so don’t forget to like us on Facebook. Check for the schedule and sheet music which will be posted before the live session. In case you don’t make it to the live ukulele lesson, check the video recording on our Facebook page, under the videos section.

If you want lyrics and chords sheet for the song, contact us and we’ll email it to you. Or subscribe here and receive weekly newsletters about our featured song and other ukulele lessons. Most importantly, you also get sheet music for the week’s ukulele tutorial.

COMPOSED BY MULTI-AWARDED DUO

Alan Menken created the music for Under the Sea. He is a multi-awarded composer who worked on many Disney animated films. He also composed all other songs for the 1989 film The Little Mermaid. On the other hand, Howard Ashman, his frequent collaborator and acclaimed lyricist, wrote the lyrics for these songs. The Little Mermaid is the first Disney film of Menken and Ashman. But they have previously worked in a couple of musicals including the successful Little Shop of Horrors.

BLEND OF CARIBBEAN MUSIC

In the song Under the Sea, the crab Sebastian pleads with Ariel, the animated film’s lead character, to abandon her quest to become human. Sebastian talks about the hardships and perils of life “up on the shore” while comparing these to the sweet and untroubled life “under the sea.”

Did you know that the film’s creators developed the character of Sebastian specifically for the film? Hans Christian Andersen’s original story did not include such character. Also, the creators initially considered an English lobster named Clarence. However, Ashman suggested changing the character to a Jamaican crab named Sebastian which the filmmakers accepted. This would be why Under the Sea has a blend of Caribbean music – Jamaican reggae beat and Trinidad and Tobago’s calypso style.

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  1. Teach a Rest Position

Create a standard position players use whenever they are listening:

  • Place the ukulele flat against the body.
  • Rest the strumming hand gently on the strings.
  • Keep both hands still.
  • Look toward the leader.

Call it “rest position” and demonstrate it at the group’s first meeting. Use the same phrase consistently: “Ukuleles in rest position, please.”

This physically mutes the strings and gives everyone a clear visual signal that playing has stopped.

  1. Use One Attention Signal

Choose a signal that can be seen or heard across the room. Possibilities include:

  • Raising one hand
  • Playing a short, distinctive chord
  • Saying, “Rest position”

Explain the signal before rehearsal begins: “When you see my hand raised, finish the chord you are playing, mute your strings, and look up.”

Avoid competing with the group by repeatedly talking over the instruments. Give the signal, pause, and wait until everyone is ready.

  1. Set a Clear “No Noodling” Expectation

Many players noodle because they are excited, nervous, practicing a difficult chord, or unaware that it is distracting. Address the behavior without embarrassing anyone.

Try saying:

“Between songs, please mute your strings so everyone can hear the instructions. We’ll always give you a moment to check chords before we begin.”

Then build short, intentional practice windows into the session:

  • “Take 20 seconds to find the opening chord.”
  • “Quietly check the change from C to G7.”
  • “Let’s try that strum together once.”

Players are more likely to stop playing at random when they know when practice is welcome.

  1. Amplify the Leader, Not the Entire Room

In larger groups, a small microphone, portable speaker, or amplified ukulele can save the leader’s voice and make directions easier to follow. Amplification should provide clarity—not to overpower the players.

Test the equipment before the session, position the speaker where everyone can hear it, and keep spoken instructions short. A microphone cannot replace an attention routine, but it makes a good routine much more effective.

  1. Create Predictable Transitions

Noodling often fills uncertainty. Tell players exactly what is happening next:

    1. “Finish the final chord.”
    2. “Rest position.”
    3. “Turn to page 14.”
    4. “Find a C chord.”
    5. “Watch for my count-in.”

Use a visible or audible count-in before every song. Once players learn that nothing begins until the leader counts them in, spontaneous starts become less common.

6. Operate iPads for music.

Many ukulele groups read off iPads, and everyone buys the same app. forScore is one of the common ones, but don’t get anything until the group leader tells you which one they use. From there, the leader or the singer/songwriter shares the music by AirDrop, so everyone is reading off the same page. Corrections land with the whole group at once, and nobody is working from an outdated copy.

 

A Simple Group Agreement

At the beginning of a session, say:

“To help everyone hear and learn, we use rest position whenever someone is speaking. When I raise my hand, please mute your strings and look up. You’ll have time to check chords before each song, and we’ll always start together on the count-in.”

The goal is not silence for its own sake. It is to create a group in which instructions are brief, rehearsals move smoothly, and everyone gets more time to make music together.

 

Here’s a list of etiquette expectations from ukulele group members to make the group learning more effective and fruitful for everyone. 

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